![]() Similarly, do the same for the four pages of switches.You’re now populating the External Devices window with all the available controls. Similarly, choose page 3 and turn all 8 controls, then page 4.Widen the External Devices window so the 8 take up exactly one row, then choose page 2 with the keyboard’s right arrow button. Studio One’s External Devices window will sprout 8 controls. Turn all 8 keyboard knobs, below the display.Choose the control surface’s with the left/right arrow buttons (if it isn’t already selected check the keyboard’s right display, in the lower right, to confirm that it shows 1/4). Turn your attention to the Komplete Kontrol keyboard, whose MIDI button should be brightly lit.Click MIDI Learn, and prepare for an orgy of knob twiddling. Now click on the MIDI-OX arrow again, and choose Edit.Choose Setup, and verify that it’s sending to and receiving from the correct Komplete Kontrol ports, as described in Part 2 (Receive From = Komplete Kontrol -1, Send To = Komplete Kontrol Ext-1). Click the MIDI-OX arrow under External Devices.Click on Studio One’s Mix tab, and then on the External button toward the left.Press the Komplete keyboard’s MIDI button so that it’s lit brightly (if it isn’t already). Open Studio One, and Create a new song.Click the application’s MIDI button in the upper-right corner, verify that you’ve chosen the desired template, and then click the MIDI button again to de-select the MIDI mode. Open the Komplete Kontrol stand-alone application.Leave MIDI-OX open, although it can be minimized. After it “boots,” open MIDI-OX, and verify that it shows the correct MIDI devices (see Fig. Turn on the Komplete Kontrol keyboard.To start with a clean slate, close MIDI-OX and Studio One if open, and turn off the Komplete Kontrol keyboard. Okay, let’s return to creating our control surface. This causes the arrow to flash yellow in Focus mode, or blue in Global mode. To complete a Control Link assignment, click on the arrow that points from a control to a parameter. This is where we do our hardware-control-to-parameter Control Link assignments. You’ll also need to choose Focus mode for an instrument or effect when you want to use a previously created template.įigure 1: The Gear button (circled in white, upper right) opens the Focus mode Control Link functionality (outlined in white rectangle).Īfter entering Focus mapping mode, parameter and Control fields appear between the header and plug-in. From the drop-down menu to the right of the gear symbol, choose MIDI-OX (the MIDI utility we installed back in Part 1 of the series because it lets the Komplete keyboard talk to non-NKS plug-ins). 1), click the gear button toward an instrument or effect’s upper right. For example, I made a Komplete keyboard Mojito template so whenever I call up Mojito in any song or any instance in a single song, it has a hardware control surface. Focus mode has two wonderful attributes: You can program different settings on the same instrument or effect in the same project, and Studio One remembers this assignment for other songs. In Focus mode, you program a controller for a specific instrument or effect. When you program a controller in Global mode, it affects aspects common to all songs, like faders, pan, etc. In the thrilling conclusion of this trilogy (soon to be a major motion picture!), we’ll now find out how to control non-NKS instruments and effects, running within Studio One, from the Komplete keyboard hardware control surface.īecause we’ll be mapping hardware controls to software parameters, it’s important to understand the difference between Studio One’s Focus and Global control mapping functions. Our prep work is in order: in part 1 we integrated the Komplete keyboard as a DAW navigation control surface, and in part 2, explored how to create general-purpose MIDI control surface templates.
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